{"exp":{"location_id":null,"viewer_type":"online_guide","light_color":"#E10676","start_page_style":"full","public":true,"map_asset_id":null,"user_sub_id":null,"turn_by_turn":"off","secondary_color":"#FFFFFF","component_style":"default","id":6663,"language_id":1,"web_layout":"nothing","marker_color":"#E76F75","font_body":"CaeciliaLTPro55Roman.woff2","deleted_at":null,"translation_object_id":79477,"title":"Extremen B&D Museum","logo_id":33405,"start_action":null,"btn_text_color":"#000000","disable_map":false,"creation_date":"2025-03-17T11:24:38.253000","uuid":"1752ee93-cbbb-42ed-b4a3-9cbb98b6369b","trailer_id":null,"force_order":false,"enable_chat":null,"update_date":"2025-06-24T09:06:56.373000","duration":3600,"text_color":"#000000","handle_color":"#B5B5B5","transportation_mode":null,"description":"Welkom bij de tour langs de opvallendste objecten van het Belasting & Douane Museum. Je herkent deze plekken aan de oranje stickers bij de objecten. Gebruik de oranje knop onderaan om te beginnen.","length":null,"bg_color":null,"font_heading":"CaeciliaLTPro55Roman.woff2","access_id":79477,"tour_help":null,"accent_color":"#F68936","color_theme":"auto","owner_id":5,"scenes":[{"title":"Het duurste","spot_type":"page","hide_next_button":false,"marker_color":null,"spot_category":"tour","hide_preview_close":null,"marker_value":null,"creation_date":"2025-03-17T12:42:54.167000","cluster_strategy":"on","lang_disabled":false,"update_date":"2025-08-06T11:05:54.200000","logo_id":33453,"access_id":79529,"point_text":null,"description":" **Toltoren aan de Merwede door Jan van Goyen**\n\nRiviergezicht geschilderd door Jan van Goyen in zijn typische stijl. Hij schilderde veel grote stadsgezichten in opdracht, zo ook een Gezicht op Dordrecht en een Gezicht op Leiden, beiden te zien in de betreffende stadsmusea. Er zijn meer dan 1000 schilderijen en 800 tekeningen van hem bekend. \n\n

Hoe duur?

Ongeveer €125 per geschilderde cm².

\n \n**Wat zien we?**\nLinks een oever met een ogenschijnlijk vierkante bakstenen toltoren van de Rotterdamse Admiraliteit, die de convooien en licenten (zoals de douanerechten toen heetten) inde. Op het balkon staat een man met een geweer. Onder het balkon staan vier personen (cherchers en roeiers van de wacht) te praten. Rechts daarvan bij een uitloper van de oever ligt een roeiboot die door de wacht en roeiers werd gebruikt om de vervoersdocumenten en goederen aan boord van de passerende schepen te controleren. In de verte is Dordrecht te zien met de stompe kerktoren. Links van het tolhuis staan drie personen bij een houten klimmast waaraan een vuurkorf hangt, het is een baken bij duisternis voor de schippers. Aanvankelijk werden hiervoor vuurpotten gebruikt, later olielampen. \nHet schilderij is gemonogrammeerd en gedateerd ‘VG 1645’ links naast het oevertrapje. Op de voorgrond een stukje oever met een viskaar (fuik voor vis of krabben).\n\n**Fun fact**\nVan Goyen is de schoonvader van de bekende schilder Jan Steen. Het huishouden dat Steen schilderde, was van de familie Van Goyen, waar hij inwoonde. \n\n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"c0a08a659f29a71b8c70ee603f1479be_yen_zonder_lijst.tif","public":false,"language_id":1,"activation_radius":null,"id":25426,"location_hint":"","hide_back_button":false,"translation_object_id":79529,"location":null,"logo":{"language_id":null,"title":"jan van goyen zonder lij","origin":"Direct Upload","orientation":0.0,"thumbnail":"c0a08a659f29a71b8c70ee603f1479be_yen_zonder_lijst.tif","access_id":79528,"creation_date":"2025-03-17T12:42:50.740000","owner_id":5,"update_date":"2025-03-17T12:42:50.740000","public":false,"location_id":38063,"id":33453,"asset_type_id":3,"description":"","translation_object_id":79528,"location":null,"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":4476476,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":33453,"height":null,"id":41649,"file_location":"c0a08a659f29a71b8c70ee603f1479be_yen_zonder_lijst.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/c0a08a659f29a71b8c70ee603f1479be_yen_zonder_lijst.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/c0a08a659f29a71b8c70ee603f1479be_yen_zonder_lijst.tif"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"##### Toll Tower on the Merwede by Jan van Goyen, 1645. \n\nThis river scene is painted in Van Goyen’s characteristic style. He painted many large cityscapes on commission, including View of Dordrecht and View of Leiden, both on display in museums in those cities. More than 1,000 paintings and 800 drawings by him are known. \n\n\n

How expensive?

About €125 per cm² painted.

\n \n**What do we see?**\nOn the left is the riverbank with what appears to be the square brick toll house of the Rotterdam Admiralty, where convoy tax and licence fees (as customs duties were then called) were collected. A man with a rifle is on the balcony. Below the balcony, four people (inspectors and boatmen of the watch) are talking. To the right of a spur on the riverbank is a rowing boat that was used by the watch and boatmen to check transport documents and goods aboard passing ships. In the distance, you can see Dordrecht with its stubby church tower. To the left of the toll house, three people are standing near a wooden climbing mast from which a brazier hangs; it is light beacon for the boatmen. Fire pots were first used for this purpose, and later oil lamps\n\nThe painting is signed with initials and dated – VG 1645 – on the left near the wooden stairs. 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Josephsz. van Goyen ","spot_type":"page","hide_next_button":false,"marker_color":null,"spot_category":"hidden","hide_preview_close":null,"marker_value":null,"creation_date":"2025-03-17T12:44:35.763000","cluster_strategy":"on","lang_disabled":false,"update_date":"2025-06-17T15:05:31.817000","logo_id":null,"access_id":79534,"point_text":null,"description":"Jan Josephsz. van Goyen (1596 –1656) werd in Leiden geboren en werkte veel in Zuid-Holland. Hij schilderde alleen maar landschappen en stadsgezichten, tenminste, dat zijn de enige bekende schilderijen van hem. Hij was vanaf zijn tiende steeds enkele maanden in de leer bij plaatselijke schilders, maar hield het nooit lang uit. Totdat hij in de leer kwam bij Willem Gerritz. in Hoorn, waar hij het een paar jaar volhield. Hij maakte ook met Gerritz. een reis naar Frankrijk. Na terugkeer werd hij medewerker in het atelier van Esaias van de Velde, een landschapsschilder in Haarlem. Het lijkt erop dat hij daar zijn roeping vond. In 1618 was hij terug in Leiden, waar hij in het Sint-Lucasgilde (het gilde van de kunstenaars) werd ingeschreven en trouwde. In 1632 woonde het gezin Van Goyen in Den Haag, op dat moment een stad met 650 kunstenaars. In 1638 werd hij hoofdman van het Haagse Sint-Lucasgilde. ","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":null,"public":false,"language_id":1,"activation_radius":null,"id":25427,"location_hint":"","hide_back_button":false,"translation_object_id":79534,"location":null,"logo":null,"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"Jan Josephsz. van Goyen (1596–1656) was born in Leiden and worked extensively in South Holland. He only painted landscapes and townscapes – at least those are his only known paintings. From the age of 10, he was repeatedly apprenticed to local painters for a few months at a time, but never for long. That is not until he was apprenticed to Willem Gerritz. in Hoorn, where he lasted a few years. Van Goyen also made a trip to France with Gerritz. After returning, he started working in the studio of Esaias van de Velde, a landscape painter in Haarlem. It seems he finally found his calling there. By 1618, he was back in Leiden, where he enrolled in the city’s Guild of St Luke (artists’ guild) and got married. By 1632, the Van Goyen family was living in The Hague, at that time a city of 650 artists. In 1638, he became head of The Hague’s Guild of St Luke.","language_id":2,"access_id":79534,"id":2654,"title":"Jan Josephsz. van Goyen","translation_object_id":79534,"location_hint":null,"lang_disabled":false,"language":null}],"assets":[],"experiences":[],"thumb_cdn_url":null},{"title":"Meest complexe geschiedenis","spot_type":"page","hide_next_button":false,"marker_color":null,"spot_category":"tour","hide_preview_close":null,"marker_value":null,"creation_date":"2025-03-17T12:55:07.080000","cluster_strategy":"on","lang_disabled":false,"update_date":"2025-08-06T11:05:54.400000","logo_id":33466,"access_id":79543,"point_text":null,"description":"***\"De overlieden van het zilversmidsgilde\"* door Juriaen Pool II, 1701**\n\nVijf overlieden van het Amsterdamse goud- en zilversmidsgilde zitten rond een tafel met een oosters tapijt. Voor hen een bokaal, kandelaar en suikerstrooier en een houten kist. Dit zou een muntgewichtdoos of kistje met toetsnaalden kunnen zijn. De signatuur is aangebracht op de rugleuning van de stoel op de voorgrond. Door het jaartal is bekend welke personen hier zijn afgebeeld: Dirk Schelte, Joannes de Vicq, Mattheus Weyland, Hendrik de Hondt en Gerard de Lange. Wie wie is, is onbekend. Voordat de Waarborg werd opgericht, werden goud- en zilver gekeurd en gemerkt door het gilde. Meesters waren verplicht zich aan te sluiten bij het gilde, zij betaalden lidmaatschap en hun meesterteken werd afgeslagen op een gildeplaat. Als zilveren en gouden voorwerpen het correcte gehalte hadden, werden ze gemerkt met het stadsteken.\n\n

Hoe groot is dit schilderij?

De afmetingen zijn 1.87 bij 2.33 meter.

\n\n**Herkomst**\n\nHet schilderij was eigendom van de kunsthandelaar Max Stern, wiens collectie in de Tweede Wereldoorlog werd geroofd door de Nazi’s. Het Canadese Max Stern Art Restitution Project vond het schilderij terug in het casino van Baden-Baden. In 2012 bood de rechtmatige eigenaar het werk via Sotheby’s Londen te koop aan. Het Belasting & Douane Museum kocht het op de veiling onverkochte grote schilderij achteraf. ","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"3e131fb6087d4b6b4ba404a8b48b6269_Juriaen_Pool.tif","public":false,"language_id":1,"activation_radius":null,"id":25428,"location_hint":"","hide_back_button":false,"translation_object_id":79543,"location":null,"logo":{"language_id":null,"title":"juriaen pool","origin":"Direct Upload","orientation":0.0,"thumbnail":"3e131fb6087d4b6b4ba404a8b48b6269_Juriaen_Pool.tif","access_id":79546,"creation_date":"2025-03-17T12:55:59.663000","owner_id":5,"update_date":"2025-03-17T12:55:59.663000","public":false,"location_id":38076,"id":33466,"asset_type_id":3,"description":"","translation_object_id":79546,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":38076},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":99145704,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":33466,"height":null,"id":41661,"file_location":"3e131fb6087d4b6b4ba404a8b48b6269_Juriaen_Pool.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/3e131fb6087d4b6b4ba404a8b48b6269_Juriaen_Pool.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/3e131fb6087d4b6b4ba404a8b48b6269_Juriaen_Pool.tif"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"The Governors of the Amsterdam Guild of Gold- and Silversmiths by Juriaen Pool II, 1701. Before the Assay Office was established, gold and silver were inspected and hallmarked by the guilds. Master gold- and silversmiths were obliged to join the guild of their city; they paid membership fees and their maker’s mark was stamped on a guild plate. If silver and gold items were of the correct purity level, they were stamped with the city’s mark.\n\n

How large is this painting?

The dimensions are 1.87 by 2.33 meters.

\n\nFive governors of the Amsterdam guild of gold- and silversmiths’ guild are sitting at a table with an oriental carpet. In front of them are a goblet, candlestick, sugar caster and wooden box. This could be a coin-weight box or a casket containing touch needles (instruments for testing silver and gold). The painter’s name and the year are inscribed on the back of the chair in the foreground. That year tells us which individuals are depicted here: Dirk Schelte, Joannes de Vicq, Mattheus Weyland, Hendrik de Hondt and Gerard de Lange – but who is who is not known.\n","language_id":2,"access_id":79543,"id":2657,"title":"Most complicated history","translation_object_id":79543,"location_hint":null,"lang_disabled":false,"language":null}],"assets":[{"location_id":104463,"start_animation":null,"auto_start":false,"volume":1.0,"scene_id":25428,"loop_playback":false,"focus_on_screen":false,"asset_id":33464,"occlusion_only":false,"id":103928,"hide_controls":false,"transparency":1.0,"active":true,"spatial_audio":false,"trackable":false,"scene":null,"triggers":[],"asset":{"language_id":null,"title":"bdm_00301","origin":"Direct 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The prince knew her work because he had visited her father, Frederik Ruysch, the famous anatomist.\n\nVery little of Pool’s work is known, but the Amsterdam Museum’s collection includes a painting depicting two surgeons’ guild governors holding a human heart between them. It could well be that Pool’s father-in-law Frederik Ruysch had arranged this, and perhaps even provided the human heart to work from.\n","language_id":2,"access_id":79553,"id":2655,"title":"Family Pool","translation_object_id":79553,"location_hint":null,"lang_disabled":false,"language":null}],"assets":[],"experiences":[],"thumb_cdn_url":null},{"title":"Het traditioneelste","spot_type":"page","hide_next_button":false,"marker_color":null,"spot_category":"tour","hide_preview_close":null,"marker_value":null,"creation_date":"2025-03-17T14:38:19.320000","cluster_strategy":"on","lang_disabled":false,"update_date":"2025-08-06T11:05:54.663000","logo_id":33493,"access_id":79580,"point_text":null,"description":"Op 17 mei 1946 werden weer de eerste Tweede Kamerverkiezingen gehouden sinds de Tweede Wereldoorlog. Een krappe twee maanden later werd het kabinet Beel I geïnstalleerd. Prof. mr. Piet Lieftinck werd minister van Financiën. Op de derde dinsdag van september presenteerde hij de regeringsbegroting in het parlement.\nLieftinck kende de Britse traditie om koffers te gebruiken voor het vervoer van regeringsdocumenten en introduceerde zijn eigen traditie. Een ambtenaar werd erop uitgestuurd om een koffer te kopen en vond deze in een winkel aan de Laan van Meerdervoort in Den Haag voor ƒ 3,75. Er werd met goudpapieren letters ‘Derde dinsdag in september’ opgeplakt. De letters lieten steeds los en rond 1955 werd de tekst er met goudverf op geschilderd. Een duurzamere oplossing. \n\n**De traditie**\nVanaf de introductie in 1946 tot 1964 is deze koffer op Prinsjesdag gebruikt om de Rijksbegroting en de toelichtende Miljoenennota naar de Staten-Generaal te vervoeren. Nadat de koning(in) in de Ridderzaal de Troonrede heeft uitgesproken, wordt de ceremonie verplaatst naar de vergaderzaal van de Tweede Kamer. De voorzitter van de Tweede Kamer neemt namens de Staten-Generaal de Rijksbegroting in ontvangst van de minister van Financiën. De Rijksbegrotingshoofdstukken zijn dan nog niet gebonden: om elk hoofdstuk, voor elke minister één hoofdstuk, is een oranje lint geknoopt. Tegenwoordig passen niet alle hoofdstukken in de witte geitenleren koffer die met ingang van 1964 wordt gebruikt. Voor de vorm worden er een paar hoofdstukken met oranje linten in gedaan. De rest komt diezelfde dag online. Sinds 1887 is de opening van het nieuwe zittingsjaar van de Staten-Generaal op de derde dinsdag in september. Daarvoor was de derde maandag traditie.\n\n**De Wederopbouw**\nPiet Lieftinck staat bekend als een zeer spaarzame minister, omdat hij Nederland financieel gezond moest maken en houden tijdens de Wederopbouw na de Tweede Wereldoorlog. In onze collectie bevinden zich vele spotprenten, waarop hij met zijn enigszins bolle hoofd en ronde brilletje heel herkenbaar is. De firma LIWA uit Apeldoorn maakte de spaarpot, ook een soort spotprent. Misschien gaf het de mensen een goed gevoel het aardewerken hoofd van Lieftinck kapot te slaan: gelukkig hadden ze dan wel eerst zijn spaarzaamheid zelf toegepast. \n\n\n**Fun Fact**\nOp 18 september 2015 bracht minister Jeroen Dijsselbloem persoonlijk de koffer van Lieftinck terug naar het museum. Hij had hem geleend voor Prinsjesdag dat jaar, omdat hij voor zichzelf een vergelijkbare taak zag als minister Lieftinck had gehad: sober uitgeven van beperkte middelen. Hij nam ook de huidige koffer mee en plaatste beide koffers in de tentoonstelling Prinsjesdag en de Miljoenennota, waarmee deze werd geopend.\n\n**Fun Fact**\nMinisters van Financiën hebben vaker gevarieerd op de bestaande traditie. Zo presenteerde Onno Ruding een Miljoenennota op microfiche in een mini-koffertje. Jan Kees de Jager, die voor het ministerschap een ICT-bedrijf opzette, bood zijn eerste Miljoenennota aan de Tweede Kamer aan op een iPad met bijpassende hoes. \n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"c5d07c77281391121c93ea6827ae3c6c_je_van_Lieftinck.tif","public":false,"language_id":1,"activation_radius":null,"id":25433,"location_hint":"","hide_back_button":false,"translation_object_id":79580,"location":null,"logo":{"language_id":null,"title":"koffertje van lieftinck","origin":"Direct Upload","orientation":0.0,"thumbnail":"c5d07c77281391121c93ea6827ae3c6c_je_van_Lieftinck.tif","access_id":79579,"creation_date":"2025-03-17T14:37:54.770000","owner_id":5,"update_date":"2025-03-17T14:37:54.770000","public":false,"location_id":38101,"id":33493,"asset_type_id":3,"description":"","translation_object_id":79579,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":38101},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":37360300,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":33493,"height":null,"id":41700,"file_location":"c5d07c77281391121c93ea6827ae3c6c_je_van_Lieftinck.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/c5d07c77281391121c93ea6827ae3c6c_je_van_Lieftinck.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/c5d07c77281391121c93ea6827ae3c6c_je_van_Lieftinck.tif"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"**Lieftinck’s budget box**\n\nOn 17 May 1946, parliamentary elections were held again for the first time since World War II. Barely two months later, the Beel I cabinet took office and Prof. Piet Lieftinck became finance minister.\nOn the third Tuesday of September, he presented the government’s budget to parliament. \n\nLieftinck was familiar with the British tradition of using red boxes (briefcases) to carry government documents and, as the new minister, he introduced his own tradition. An official was sent out to buy a briefcase and found one in a shop on Laan van Meerdervoort in The Hague for 3.75 guilders. ‘Third Tuesday of September’ (budget day) was stuck on it in gold foil letters. But the letters kept wearing off and around 1955 the text was painted on with gold paint – a more long-lasting solution.\n\n**The tradition** \nFrom its introduction in 1946 up until 1964, this briefcase was used on Prinsjesdag (the state opening of parliament) to carry the national budget and the budget memorandum (miljoenennota in Dutch) to the States General. After the king (or queen) delivers the Speech from the Throne in the Ridderzaal, the ceremony moves to the chamber of the Lower House. The Speaker of the Lower House receives the national budget from the Minister of Finance on behalf of the States General. At that time, the sections of the national budget are not yet bound: an orange ribbon is tied around each section, one for each minister. Nowadays, not all the sections of the budget can fit into the white goatskin leather briefcase that’s been used since 1964. For the sake of tradition, a few sections with orange ribbons are put in it. All the sections are made available online that same day. Since 1887, the opening of the new parliamentary year of the States General has taken place on the third Tuesday of September. Before then, the tradition was the third Monday.\n\n**Reconstruction** \nPiet Lieftinck is remembered for being a very frugal minister, as he had to make – and keep – the Netherlands financially sound during the Reconstruction period after World War II. There are many cartoons in our collection in which he is immediately recognisable with his slightly domed head and round glasses. The Apeldoorn firm LIWA made a Lieftinck piggy bank that is also a kind of cartoon. Perhaps it made people feel good to smash open Lieftinck’s earthenware head! Fortunately, they had first applied his thriftiness to their own budget.\n\n**Fun fact**\nOn 18 September 2015, Minister Jeroen Dijsselbloem personally returned Lieftinck’s budget box to the museum. He had borrowed it for budget day that year because he saw himself facing a similar task to Minister Lieftinck’s: to spend limited resources frugally. Dijsselbloem also brought along the current budget box and placed both boxes to mark the opening of the exhibition Prinsjesdag en de Miljoenennota. \n\n**Fun fact** \nFinance ministers have departed from existing traditions on more occasions. \nOnno Ruding, for instance, presented a budget memorandum on a microfiche in a mini-case. Jan Kees de Jager, who had founded an IT company before becoming minister, presented his first budget memorandum to the Lower House on an iPad with a matching case.\n\n","language_id":2,"access_id":79580,"id":2658,"title":"Most traditional","translation_object_id":79580,"location_hint":null,"lang_disabled":false,"language":null}],"assets":[{"location_id":104499,"start_animation":null,"auto_start":false,"volume":1.0,"scene_id":25433,"loop_playback":false,"focus_on_screen":false,"asset_id":33497,"occlusion_only":false,"id":103964,"hide_controls":false,"transparency":1.0,"active":true,"spatial_audio":false,"trackable":false,"scene":null,"triggers":[],"asset":{"language_id":null,"title":"lieftinck met koffer na","origin":"Direct 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Niet zo’n vrouwvriendelijke gedachte… Of juist wel. Aad de Haas maakte ook een aantal erotische schilderijen waarop te zien is hoe mannen vrouwen op een expliciet seksuele manier aanraken. We weten niet of de douanier in de voorstelling toestemming heeft gevraagd, vandaar dat wij dit niet woke vinden. Al is het maar een droom, het is misbruik van je functie voor je eigen lust.\n\n**De droom**\nWe zien een in mystieke sfeer, vaag geschilderde douanescène. Links staan twee douaneambtenaren in uniform. Een vrouw staat voor de grootste ambtenaar; de andere vrouw zit met een tas op haar schoot te wachten tot zij aan de beurt is. Voor de zittende vrouw ligt een slanke hond met een zeer spitse snuit die wel een vogelkop lijkt. Aad de Haas schilderde veel van zulke fantasiedieren. In de nissen op de achtergrond staan beeldjes die Justitia (het recht) en de wet voorstellen. Links op een sokkeltje staat een beeld van de Nederlandse Leeuw. De scène wordt omsloten door een soort toneelgordijn. Ook de opstelling van de afgebeelde figuren lijkt nogal op een toneelstuk. De titel 'Douanedroom' suggereert dat dit schilderij een wens van een douaneambtenaar verbeeldt. Het lichamelijk onderzoeken van vrouwen was namelijk voorbehouden aan vrouwen. Als er op de douanepost geen vrouwen werkten, werd de echtgenote van het hoofd van de post als tijdelijk hulpkommies aangesteld. Ze kregen hiervoor een vergoeding van het Rijk. \n\n**Fun fact**\nDe hoogste baas van de Douane is een vrouw, Nanette van Schelven. \n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"9effc71d56a310d41b552088e2815f44_Aad_de_Haas.tif","public":false,"language_id":1,"activation_radius":null,"id":25435,"location_hint":"","hide_back_button":false,"translation_object_id":79587,"location":null,"logo":{"language_id":null,"title":"aad de haas","origin":"Direct Upload","orientation":0.0,"thumbnail":"9effc71d56a310d41b552088e2815f44_Aad_de_Haas.tif","access_id":79586,"creation_date":"2025-03-17T14:42:00.493000","owner_id":5,"update_date":"2025-03-17T14:42:00.493000","public":false,"location_id":38106,"id":33498,"asset_type_id":3,"description":"","translation_object_id":79586,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":38106},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":9221184,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":33498,"height":null,"id":41706,"file_location":"9effc71d56a310d41b552088e2815f44_Aad_de_Haas.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/9effc71d56a310d41b552088e2815f44_Aad_de_Haas.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/9effc71d56a310d41b552088e2815f44_Aad_de_Haas.tif"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"Customs Dream is a painting with a strange undertone; it assumes that customs officers dream of being allowed to grope women under the pretext of searching them. Not a very woman-friendly thought...Or is it? Aad de Haas also painted a series of erotic works showing men touching women in explicitly sexual ways. We do not know if the customs officer in the painting asked for permission, which is why we do not find the painting at all woke. Even if it’s just a dream, it’s an abuse of power.\n\n**The dream** \nA hazily painted customs scene with a mystical atmosphere. On the left, you see two customs officers in uniform. A woman is standing in front of the taller officer. Another woman is waiting her turn with her bag on her lap. Near the seated woman is a skinny dog with a snout so pointed it’s more like a bird’s beak. \nAad de Haas painted many such fantasy animals. In the niches in the background are statues representing Justice and the Law. On a plinth on the left is a statue of the Dutch Lion. The scene is encircled by a kind of stage curtain. The positioning of the depicted figures also looks rather like a play. The title Customs Dream suggests that this painting represents the secret wish of a customs officer, given that touching women was strictly forbidden. If no women were working at the customs post, the wife of the chief officer would be appointed a temporary customs assistant. In that capacity, the wives were paid a fee by the state for each woman they searched.\n\n**Fun fact** \nToday, it is a woman – Nanette van Schelven – who holds the top job at Customs.\n\n","language_id":2,"access_id":79587,"id":2659,"title":"Least woke","translation_object_id":79587,"location_hint":null,"lang_disabled":false,"language":null}],"assets":[{"location_id":104500,"start_animation":null,"auto_start":false,"volume":1.0,"scene_id":25435,"loop_playback":false,"focus_on_screen":false,"asset_id":33499,"occlusion_only":false,"id":103965,"hide_controls":false,"transparency":1.0,"active":true,"spatial_audio":false,"trackable":false,"scene":null,"triggers":[],"asset":{"language_id":null,"title":"Prof. Dr. Van der Poel","origin":"Direct Upload","orientation":0.0,"thumbnail":null,"access_id":79589,"creation_date":"2025-03-17T14:43:59.157000","owner_id":5,"update_date":"2025-06-24T09:05:34.740000","public":false,"location_id":38107,"id":33499,"asset_type_id":13,"description":"https://web.wintor.com/nl/light/tour/1752ee93-cbbb-42ed-b4a3-9cbb98b6369b/spot/25436","translation_object_id":79589,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":38107},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[{"description":"https://web.wintor.com/en/light/tour/1752ee93-cbbb-42ed-b4a3-9cbb98b6369b/spot/25436","language_id":2,"access_id":79589,"id":2678,"title":"Prof. Dr. Van der Poel","translation_object_id":79589,"location_hint":null,"lang_disabled":false,"language":null}],"versions":[],"thumb_url":"https://store.kayser.workers.dev/wintor/placeholder_link.png"},"actions":[],"location":{"time_end":0.0,"position_z":0.0,"scale_y":0.0,"scene_origin":true,"rotation_x":0.0,"scale_z":0.0,"id":104500,"rotation_y":0.0,"crop_start_x":0.0,"time_start":0.0,"rotation_z":0.0,"crop_start_y":0.0,"position_x":0.0,"rot_track_x":false,"crop_start_z":0.0,"rot_track_y":false,"crop_end_x":0.0,"time_stop":0.0,"position_y":0.0,"rot_track_z":false,"crop_end_y":0.0,"time_begin":0.0,"scale_x":0.0,"crop_end_z":0.0},"groups":[]},{"location_id":116139,"start_animation":null,"auto_start":false,"volume":1.0,"scene_id":25435,"loop_playback":false,"focus_on_screen":false,"asset_id":33498,"occlusion_only":false,"id":115548,"hide_controls":false,"transparency":1.0,"active":true,"spatial_audio":false,"trackable":false,"scene":null,"triggers":[],"asset":{"language_id":null,"title":"aad de haas","origin":"Direct Upload","orientation":0.0,"thumbnail":"9effc71d56a310d41b552088e2815f44_Aad_de_Haas.tif","access_id":79586,"creation_date":"2025-03-17T14:42:00.493000","owner_id":5,"update_date":"2025-03-17T14:42:00.493000","public":false,"location_id":38106,"id":33498,"asset_type_id":3,"description":"","translation_object_id":79586,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":38106},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":9221184,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":33498,"height":null,"id":41706,"file_location":"9effc71d56a310d41b552088e2815f44_Aad_de_Haas.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/9effc71d56a310d41b552088e2815f44_Aad_de_Haas.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/9effc71d56a310d41b552088e2815f44_Aad_de_Haas.tif"},"actions":[],"location":{"time_end":0.0,"position_z":0.0,"scale_y":1.0,"scene_origin":true,"rotation_x":0.0,"scale_z":1.0,"id":116139,"rotation_y":0.0,"crop_start_x":0.0,"time_start":0.0,"rotation_z":0.0,"crop_start_y":0.0,"position_x":-1.0,"rot_track_x":false,"crop_start_z":0.0,"rot_track_y":false,"crop_end_x":0.0,"time_stop":0.0,"position_y":1.0,"rot_track_z":false,"crop_end_y":0.0,"time_begin":0.0,"scale_x":1.0,"crop_end_z":0.0},"groups":[]}],"experiences":[],"thumb_cdn_url":"https://store.kayser.workers.dev/wintor/9effc71d56a310d41b552088e2815f44_Aad_de_Haas.tif"},{"title":"Prof. Dr. Van der Poel ","spot_type":"page","hide_next_button":false,"marker_color":null,"spot_category":"hidden","hide_preview_close":null,"marker_value":null,"creation_date":"2025-03-17T14:42:54.833000","cluster_strategy":"on","lang_disabled":false,"update_date":"2025-03-17T14:42:54.860000","logo_id":null,"access_id":79588,"point_text":null,"description":"Aad de Haas is een schilder die buiten de gebaande kunsthistorische paden valt, ook tijdens zijn leven al, maar sinds 2000 hebben de Kunsthal in Rotterdam en Schunck in Heerlen overzichtstentoonstellingen georganiseerd. Dit heeft het werk van de kunstenaar opnieuw in de belangstelling gebracht. Tijdens de Tweede Wereldoorlog schuilde Aad de Haas voor de Arbeitseinsatz, de verplichte tewerkstelling in Duitsland. Ada, de dochter van Prof. Dr. Van der Poel (oprichter en lange tijd directeur van het museum) had kort op de kunstacademie in Rotterdam gestudeerd, waar ze Aad had leren kennen. Van der Poel had in 1941 een schadevergoeding van 100.000 gulden ontvangen van de staat voor de vernietiging van het Belastingmuseum tijdens de eerste oorlogsdagen. Met dit geld gaf hij, nog tijdens de oorlog, een aantal kunstenaars opdrachten, zodat ze de moeilijke tijd doorkwamen. Ook kocht hij de materialen in om uit te delen aan kunstenaars. \n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":null,"public":false,"language_id":1,"activation_radius":null,"id":25436,"location_hint":"","hide_back_button":false,"translation_object_id":79588,"location":null,"logo":null,"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"Aad de Haas was a nonconformist and controversial painter. However, since 2000, both the Kunsthal in Rotterdam and Schunck in Heerlen have held De Haas retrospectives. This has brought renewed attention to the artist’s work. During World War II, he went into hiding to avoid Arbeitseinsatz (forced labour in Germany). Ada, the daughter of Prof. Van der Poel (the founder and long-time director of the Tax & Customs Museum) had briefly studied at the art academy in Rotterdam, where she had met De Haas. In 1941, Prof. Van der Poel had received compensation of 100,000 guilders from the state for the destruction of the Tax & Customs Museum during the first days of the war. With the war still waging, he used the money to commission several artists and thus help them to get through those difficult times. He also bought art materials to give to artists. \n","language_id":2,"access_id":79588,"id":2660,"title":"Prof. Dr. Van der Poel","translation_object_id":79588,"location_hint":null,"lang_disabled":false,"language":null}],"assets":[],"experiences":[],"thumb_cdn_url":null},{"title":"Het bizarste","spot_type":"page","hide_next_button":false,"marker_color":null,"spot_category":"tour","hide_preview_close":null,"marker_value":null,"creation_date":"2025-03-17T14:45:53.810000","cluster_strategy":"on","lang_disabled":false,"update_date":"2025-08-06T11:05:54.943000","logo_id":33663,"access_id":79591,"point_text":null,"description":"Nederland was rijkelijk laat met het afschaffen van de slavernij. In 1863 was het zover, twee jaar voor de Verenigde Staten, maar dertig jaar na Groot-Brittannië. De eigenaren kregen een compensatie voor het verlies van gratis arbeidskrachten van f 300 per slaafgemaakte. De slaafgemaakten zelf kregen helemaal niets en moesten zelfs nog tien jaar onder staatstoezicht op de plantage blijven werken voor een hongerloon. \n\n**Wat staat er?**\nDe kwitantie is ondertekend door de gouverneur der Kolonie Suriname, Van Lansberge. Het bedrag is 40.600 gulden. De wissel is meerdere malen doorgegeven, er staan handtekeningen achterop van onder andere de koloniale ontvanger en betaalmeester, H. Charlouis; voor plantage 'de Goudmijn' E.J.F. van der Schrieck en J.J. van der Schrieck te Amsterdam. Ontvangen voor zegelrecht op 6 augustus 1864 f 28,29, getekend door J.C. van de Watering. Met droogstempel, zegelbeeld leesbaar aan achterzijde rondschrift: Ministerie v Kolonie Suriname zegel 1863.\n\n**Wie?**\nEerste ontvanger was Carl Reinhard Berner voor plantage La Tourtonne, bij Paramaribo. In 1844 komt hij in de burgerlijke stand van Paramaribo voor als koopman en echtgenoot van Ester Adolphina van Maarsen. Zij woonden aan de Watermolenstraat met hun twee kinderen van 4 jaar en 7 maanden oud, nog een kind van 7 maanden met een andere achternaam (Jantje van Drumont) en een witte vrouw van 20 jaar oud. Waarschijnlijk was deze Nanny van der Mee familie, want zij staat zonder beroep vermeld. Zij woonden daar met zeven slaafgemaakte vrouwen. \nBerner overleed op 9 november 1868, 66 jaar oud. \n\n**Waar?**\nLa Tourtonne was een plantage van 1500 akkers voor koffie en cacao in Boomskreek. Op de kaart van Alexander Lavaux uit 1758 komt een plantage Tourtonne voor (nr 5). \n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"80f7be94986fb78bf73b53cfe0954ff4_BDM_46585-01.tif","public":false,"language_id":1,"activation_radius":null,"id":25437,"location_hint":"","hide_back_button":false,"translation_object_id":79591,"location":null,"logo":{"language_id":null,"title":"bdm_46585-01","origin":"Direct Upload","orientation":0.0,"thumbnail":"80f7be94986fb78bf73b53cfe0954ff4_BDM_46585-01.tif","access_id":79763,"creation_date":"2025-03-18T14:28:42.343000","owner_id":5,"update_date":"2025-03-18T14:28:42.343000","public":false,"location_id":38264,"id":33663,"asset_type_id":3,"description":"","translation_object_id":79763,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":38264},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":15991736,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":33663,"height":null,"id":42116,"file_location":"80f7be94986fb78bf73b53cfe0954ff4_BDM_46585-01.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/80f7be94986fb78bf73b53cfe0954ff4_BDM_46585-01.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/80f7be94986fb78bf73b53cfe0954ff4_BDM_46585-01.tif"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"Bill of exchange on the abolition of slavery \nThe Netherlands was comparatively late in abolishing slavery: 1863 – two years before the United States, but 30 years after the UK. The owners of enslaved people received compensation of 300 guilders per person for the loss of free labour. The enslaved persons themselves got nothing at all and were even forced to continue working on plantations for a pittance for 10 more years under state supervision.\n\n**What does it say?** \nThe bill of exchange is signed by the governor of the Colony of Suriname, Van Lansberge. The amount is 40,600 guilders. The bill of exchange passed through several hands. The signatures on the back include the colonial paymaster and receiver H. Charlouis, and E.J.F. van der Schrieck and J.J. van der Schrieck of Amsterdam on behalf of the plantation De Goudmijn. J.C. van de Watering’s signature confirms that stamp duty amounting to 28.29 guilders was paid on 6 August 1864. The imprint and stamp image of the embossed stamp are visible on the back of the wisselbrief, along with the curved text: Ministerie v Kolonie Suriname zegel 1863.\n\n**Who?** \nThe first recipient was Carl Reinhard Berner for the plantation La Tourtonne, near Paramaribo. In 1844, he appears in the civil registry of Paramaribo as a merchant and the husband of Ester Adolphina van Maarsen. He lived on Watermolenstraat with their two children: a 4 year old, a 7-month-old baby and another 7-month-old child with a different surname (Jantje van Drumont) plus a white woman aged 20. Probably this woman, Nanny van der Mee, was a relative as she is listed without a profession. They lived with seven enslaved women.\nBerner died on 9 November 1868, aged 66.\n\n**Where?** \nLa Tourtonne was a plantation of some 1,500 acres, growing coffee and cocoa in Boomskreek.\nAlexander Lavaux’s 1758 map shows a La Tourtonne plantation (No 5).\n","language_id":2,"access_id":79591,"id":2661,"title":"The Strangest","translation_object_id":79591,"location_hint":null,"lang_disabled":false,"language":null}],"assets":[{"location_id":104501,"start_animation":null,"auto_start":false,"volume":1.0,"scene_id":25437,"loop_playback":false,"focus_on_screen":false,"asset_id":33501,"occlusion_only":false,"id":103966,"hide_controls":false,"transparency":1.0,"active":true,"spatial_audio":false,"trackable":false,"scene":null,"triggers":[],"asset":{"language_id":null,"title":"hele kaart suriname 1758 uva","origin":"Direct 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Hij is gemaakt in wat onder kunstkenners de ‘lelijke tijd’ wordt genoemd, naar aanleiding van een tentoonstelling in het Rijksmuseum in 1995. Het gaat om een periode van circa 1835 tot 1895, waarin allerlei stijlen uit het verleden door elkaar gehusseld werden hergebruikt. \nDe bank is samengesteld uit neo-klassieke en neo-renaissance-onderdelen met een zeestuk in imitatie-17e-eeuwse stijl en een portret dat een kopie is van het 19e-eeuwse origineel in het Rijksmuseum. De bank zelf dateert van begin 20e eeuw. Bij de laatste restauratie is zelfs een 21e-eeuws element toegevoegd: het vlaggetje rechtsboven was verdwenen en is weer bijgemaakt.\n\n**Fun fact**\nDe bank is een zogenaamde ‘invented tradition’, iets nieuws waarvan vervolgens wordt gedaan alsof het een eeuwenoude traditie betreft. Bij de bank werd het verhaal verteld dat de afgebeelde persoon, admiraal Cornelis Tromp, de bank cadeau had gekregen voor zijn verdiensten bij de Slag bij Öland in juni 1676. Tromp leidde in die zeeslag de gecombineerde Deens-Nederlandse vloot om de Sonttol te heroveren op de Zweden en zo de belangrijke toegang tot de Oostzee te controleren. Nederlandse kooplieden verdienden grote rijkdommen met de Oostzeehandel in graan, hout, wol en bont. Tegen de tijd dat de bank werd gemaakt, lag Cornelis Tromp al twee eeuwen in de grafkelder van de familie Tromp in Delft. \n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"abc70d42b78972670e07496be03cfef1_BDM_00064.tif","public":false,"language_id":1,"activation_radius":null,"id":26093,"location_hint":"","hide_back_button":false,"translation_object_id":81414,"location":null,"logo":{"language_id":null,"title":"bdm_00064","origin":"Direct Upload","orientation":0.0,"thumbnail":"abc70d42b78972670e07496be03cfef1_BDM_00064.tif","access_id":81413,"creation_date":"2025-04-14T13:21:37.070000","owner_id":5,"update_date":"2025-04-14T13:21:37.070000","public":false,"location_id":38986,"id":34360,"asset_type_id":3,"description":"","translation_object_id":81413,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":38986},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":112087480,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":34360,"height":null,"id":43416,"file_location":"abc70d42b78972670e07496be03cfef1_BDM_00064.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/abc70d42b78972670e07496be03cfef1_BDM_00064.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/abc70d42b78972670e07496be03cfef1_BDM_00064.tif"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"**Tromp hall bench**\nThere is no arguing about taste: some find this hall bench beautiful, others think it’s really ugly. It was made during what art experts in the Netherlands have called the ‘ugly period’ since an exhibition at the Rijksmuseum in 1995. The period in question was from about 1835 to 1895, when all kinds of styles from the past were mashed up and reused. \n\nThe bench has neo-classical and neo-Renaissance parts with a seascape that imitates the style of the 17th century and a portrait that is a copy of a 19th-century original in the Rijksmuseum. The bench itself dates from the early 20th century. The latest restoration even added a 21st-century element: the flag at the top right had disappeared and has now been recreated. \n\n**Fun fact**\nThe hall bench is an invented tradition creation: something new that draws on centuries-old traditions. The bench tells the story that the person depicted, Admiral Cornelis Tromp, was given the bench as a gift for part in the victory at the Battle of Öland in June 1676. Tromp led a combined Dano-Dutch fleet against the Swedish navy to gain control of access to the southern Baltic Sea as well as control of the toll levied for passage through the Sound (Sound Toll). Dutch merchants earned great wealth from the Baltic trade in grain, timber, wool and furs. However, by the time the bench was made, Cornelis Tromp had been lying in the Tromp family crypt in Delft for two centuries.\n","language_id":2,"access_id":81414,"id":2662,"title":"The Ugliest","translation_object_id":81414,"location_hint":null,"lang_disabled":false,"language":null}],"assets":[{"location_id":116141,"start_animation":null,"auto_start":false,"volume":1.0,"scene_id":26093,"loop_playback":false,"focus_on_screen":false,"asset_id":34360,"occlusion_only":false,"id":115550,"hide_controls":false,"transparency":1.0,"active":true,"spatial_audio":false,"trackable":false,"scene":null,"triggers":[],"asset":{"language_id":null,"title":"bdm_00064","origin":"Direct Upload","orientation":0.0,"thumbnail":"abc70d42b78972670e07496be03cfef1_BDM_00064.tif","access_id":81413,"creation_date":"2025-04-14T13:21:37.070000","owner_id":5,"update_date":"2025-04-14T13:21:37.070000","public":false,"location_id":38986,"id":34360,"asset_type_id":3,"description":"","translation_object_id":81413,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":38986},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":112087480,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":34360,"height":null,"id":43416,"file_location":"abc70d42b78972670e07496be03cfef1_BDM_00064.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/abc70d42b78972670e07496be03cfef1_BDM_00064.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/abc70d42b78972670e07496be03cfef1_BDM_00064.tif"},"actions":[],"location":{"time_end":0.0,"position_z":0.0,"scale_y":1.0,"scene_origin":true,"rotation_x":0.0,"scale_z":1.0,"id":116141,"rotation_y":0.0,"crop_start_x":0.0,"time_start":0.0,"rotation_z":0.0,"crop_start_y":0.0,"position_x":-1.0,"rot_track_x":false,"crop_start_z":0.0,"rot_track_y":false,"crop_end_x":0.0,"time_stop":0.0,"position_y":1.0,"rot_track_z":false,"crop_end_y":0.0,"time_begin":0.0,"scale_x":1.0,"crop_end_z":0.0},"groups":[]}],"experiences":[],"thumb_cdn_url":"https://store.kayser.workers.dev/wintor/abc70d42b78972670e07496be03cfef1_BDM_00064.tif"},{"title":"Het goedkoopste","spot_type":"page","hide_next_button":false,"marker_color":null,"spot_category":null,"hide_preview_close":null,"marker_value":null,"creation_date":"2025-04-14T13:24:04.490000","cluster_strategy":"on","lang_disabled":false,"update_date":"2025-08-06T11:05:55.307000","logo_id":34361,"access_id":81416,"point_text":null,"description":"###### Nep Rolex\n\nEen nephorloge is vele malen goedkoper dan een merkhorloge, maar als je gepakt wordt, kunnen de kosten behoorlijk oplopen. Nederlanders bestellen steeds meer via internet en apps die extreem goedkope producten verkopen. De grootste stromen nepartikelen komen Nederland binnen via containers. \nDeze ‘Rolex’ is uiteindelijk niet opgehaald door de besteller. Hij probeerde de boete voor dit namaakproduct te ontlopen door te claimen dat het horloge echt was. Toen hij vervolgens werd geconfronteerd met de invoerrechten (destijds 12% van de cataloguswaarde van zo’n € 12.500), koos hij er toch maar voor om afstand te doen van het horloge en de boete te betalen. \n\n**Wet** \nSoms is er alleen economische schade van de inbreuk op het merkenrecht, maar nepproducten kunnen ook schade veroorzaken aan de gezondheid en veiligheid. Denk bijvoorbeeld aan nagemaakte medicijnen, helmen of auto-onderdelen. \nDe Wet op de Economische Delicten regelt dat intellectuele eigendom beschermd wordt. Een product mag niet zomaar worden nagemaakt. De Douane werkt hiervoor samen met het Ministerie van Economische Zaken en de bedrijven die slachtoffer zijn van namaak van hun producten. \nDe Douane werkt daarnaast met nog meer partijen samen. Met het Ministerie van Volksgezondheid, Welzijn en Sport om geneesmiddelen te controleren; met het Ministerie van Landbouw, Visserij, Voedselzekerheid en Natuur bij het bewaken van voedselkwaliteit; en met de Politie, Koninklijke Marechaussee en Vreemdelingenpolitie voor het handhaven van de Wet wapens en munitie, het opsporen van drugs en het bestrijden van criminele organisaties. \n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"3030738ca3a77a527851dd734da8cf33_BDM_10054.tif","public":false,"language_id":1,"activation_radius":null,"id":26094,"location_hint":"","hide_back_button":false,"translation_object_id":81416,"location":null,"logo":{"language_id":null,"title":"bdm_10054","origin":"Direct Upload","orientation":0.0,"thumbnail":"3030738ca3a77a527851dd734da8cf33_BDM_10054.tif","access_id":81415,"creation_date":"2025-04-14T13:23:58.530000","owner_id":5,"update_date":"2025-04-14T13:23:58.530000","public":false,"location_id":38987,"id":34361,"asset_type_id":3,"description":"","translation_object_id":81415,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":38987},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":20893156,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":34361,"height":null,"id":43417,"file_location":"3030738ca3a77a527851dd734da8cf33_BDM_10054.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/3030738ca3a77a527851dd734da8cf33_BDM_10054.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/3030738ca3a77a527851dd734da8cf33_BDM_10054.tif"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"**Fake Rolex**\nA counterfeit watch is many times cheaper than an authentic brand-name one, but if you get caught, the costs can be quite high. The Dutch are ordering more and more products via the internet and apps that sell things extremely cheaply. The biggest flow of counterfeit goods enters the Netherlands through shipping containers.\n\nUltimately, this ‘Rolex’ was not collected by the purchaser. He tried to avoid the fine for this counterfeit product by claiming the watch was genuine. When he was then faced with the import duty (at the time 12% of the catalogue value of about 12,500 euros), he chose to forgo the watch and pay the fine instead.\n\n**Law**\nSometimes trademark infringement only causes economic damage, but fake products can also result in damage to health and safety, for example, in the case of counterfeit medicines, helmets or car parts.\n\nThe Economic Offences Act protects intellectual property. A product may not be counterfeited just like that. To this end, Customs works with the Ministry of Economic Affairs and companies that are the victims of product counterfeiting.\n\nCustoms also works with other parties: the Ministry of Health, Welfare and Sport to check medicines; the Ministry of Agriculture, Fisheries, Food Security and Nature to monitor food quality; and the Police, Royal Dutch Marechaussee and Aliens Police in enforcing the Weapons and Ammunition Act, investigating drug trafficking and fighting organised crime.\n\n","language_id":2,"access_id":81416,"id":2663,"title":"The Cheapest","translation_object_id":81416,"location_hint":null,"lang_disabled":false,"language":null}],"assets":[{"location_id":116142,"start_animation":null,"auto_start":false,"volume":1.0,"scene_id":26094,"loop_playback":false,"focus_on_screen":false,"asset_id":34361,"occlusion_only":false,"id":115551,"hide_controls":false,"transparency":1.0,"active":true,"spatial_audio":false,"trackable":false,"scene":null,"triggers":[],"asset":{"language_id":null,"title":"bdm_10054","origin":"Direct Upload","orientation":0.0,"thumbnail":"3030738ca3a77a527851dd734da8cf33_BDM_10054.tif","access_id":81415,"creation_date":"2025-04-14T13:23:58.530000","owner_id":5,"update_date":"2025-04-14T13:23:58.530000","public":false,"location_id":38987,"id":34361,"asset_type_id":3,"description":"","translation_object_id":81415,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":38987},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":20893156,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":34361,"height":null,"id":43417,"file_location":"3030738ca3a77a527851dd734da8cf33_BDM_10054.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/3030738ca3a77a527851dd734da8cf33_BDM_10054.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/3030738ca3a77a527851dd734da8cf33_BDM_10054.tif"},"actions":[],"location":{"time_end":0.0,"position_z":0.0,"scale_y":1.0,"scene_origin":true,"rotation_x":0.0,"scale_z":1.0,"id":116142,"rotation_y":0.0,"crop_start_x":0.0,"time_start":0.0,"rotation_z":0.0,"crop_start_y":0.0,"position_x":-1.0,"rot_track_x":false,"crop_start_z":0.0,"rot_track_y":false,"crop_end_x":0.0,"time_stop":0.0,"position_y":1.0,"rot_track_z":false,"crop_end_y":0.0,"time_begin":0.0,"scale_x":1.0,"crop_end_z":0.0},"groups":[]}],"experiences":[],"thumb_cdn_url":"https://store.kayser.workers.dev/wintor/3030738ca3a77a527851dd734da8cf33_BDM_10054.tif"},{"title":"Het kleinste","spot_type":"page","hide_next_button":false,"marker_color":null,"spot_category":null,"hide_preview_close":null,"marker_value":null,"creation_date":"2025-04-14T13:29:15.610000","cluster_strategy":"on","lang_disabled":false,"update_date":"2025-08-06T11:05:55.460000","logo_id":34362,"access_id":81418,"point_text":null,"description":"De Deventer tolpenning is naast het kleinste, ook een van de oudste objecten in het museum. Hij dateert uit de periode 1012-1022 en is dus ruim 1000 jaar oud! Deventer zelf is een van de vijf oudste steden van Nederland. De stad wordt in de 9e eeuw voor het eerst in een geschreven bron genoemd. Met dit kleine muntje konden reizigers aantonen dat de tol betaald was. In die tijd waren de meeste mensen analfabeet en zo’n muntje was ook voor ongeletterde mensen meteen duidelijk. \n\nDeventer viel onder het gezag van de bisschop van Utrecht, een leenman van de Duitse keizer. Toen de bisschop in 856 vluchtte voor de Vikingen, stichtte hij een plaatsvervangend hof in Deventer, waardoor Deventer een religieus centrum werd. Pas in de 10e eeuw keerde de bisschop terug naar Utrecht. Op de tekening van A.H.J. Meijer staat links de Mariakerk, die in 937 werd gebouwd door Bisschop Balderik van Utrecht. De kerk rechts is er aangebouwd en is later uitgebreid tot de Lebuïnus Basiliek. De Mariakerk is er niet meer, maar bezoekers uit de tijd van de tolpenning konden daar bidden voor een veilige reis. \n\nIn de Middeleeuwen was Deventer dus een belangrijke stad. Vanaf het midden van de 12e eeuw ontstond het eerste handelsverbond van Duitse steden, de Hanze, later uitgebreid tot 200 steden verspreid over Europa. Door samen te werken en gezamenlijk te reizen kon de handel veiliger worden vervoerd. Vanzelfsprekend was Deventer een belangrijke schakel in de Hanzeroute met zijn ligging aan de IJssel en natuurlijke haven. Op de kaart uit de late Middeleeuwen met het noordelijke Hanzegebied is nog net een stukje Nederlanden te zien.\n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"c8dd99c5db970784dd6f3dd56cf625be_BDM_45754_01.tif","public":false,"language_id":1,"activation_radius":null,"id":26095,"location_hint":"","hide_back_button":false,"translation_object_id":81418,"location":null,"logo":{"language_id":null,"title":"bdm_45754_01","origin":"Direct Upload","orientation":0.0,"thumbnail":"c8dd99c5db970784dd6f3dd56cf625be_BDM_45754_01.tif","access_id":81417,"creation_date":"2025-04-14T13:29:11.537000","owner_id":5,"update_date":"2025-04-14T13:29:11.537000","public":false,"location_id":38988,"id":34362,"asset_type_id":3,"description":"","translation_object_id":81417,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":38988},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":1931160,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":34362,"height":null,"id":43418,"file_location":"c8dd99c5db970784dd6f3dd56cf625be_BDM_45754_01.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/c8dd99c5db970784dd6f3dd56cf625be_BDM_45754_01.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/c8dd99c5db970784dd6f3dd56cf625be_BDM_45754_01.tif"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"**Deventer toll token**\nApart from being the smallest object in the museum, this toll token is also one of the oldest. It dates from between 1012 and 1022, making it over 1,000 years old! Deventer is itself one of the five oldest cities in the Netherlands. It was first mentioned in a written source in the 9th century. This small token allowed travellers to prove that they had paid the toll. At that time, most people were illiterate and tokens like this could be easily understood by everyone.\n\nDeventer fell under the authority of the bishop of Utrecht, a vassal of the German emperor. When the bishop fled from the Vikings in 856, he set up a substitute court in Deventer, turning the city into a religious centre. It wasn’t until the 10th century that the bishop then in office would return to Utrecht. This drawing by A.H.J. Meijer shows the Church of Our Lady on the left, built in 937 by Bishop Balderic of Utrecht. The church on the right was attached to it and later expanded to become St Lebuinus’s Church. 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How small really?

The diameter of the token is 1.7 cm.

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Rechts op de voorgrond figureren vier vrouwen in kleurige sarongs. Het schilderij is gesigneerd en gedateerd rechts onderaan. Ambtenaren van dit ministerie boden het schilderij op 4 september 1926 aan als afscheidscadeau voor directeur van Financiën in Nederlands-Indië, C.W. Bodenhausen. \n\n**Fun fact**\nHet ambtskostuum dat Bodenhausen draagt op de foto, wordt bewaard in het museum. Ondanks dat het een tropenuniform is met een witte broek, is het gemaakt van dikke kriebelige wol.\nHet schilderij beeldt een fantasiewereld uit, ‘Ons Indië’, zoals de Nederlanders zich het leven in de kolonie voorstelden. In werkelijkheid was het een strakke standenmaatschappij, racisme was wettelijk vastgelegd en in de jaren 1930 was de samenleving tot op het bot gesegregeerd. Er was veel verzet, maar dat drong niet door tot het ‘moederland’. 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Vanaf 1912 werkte hij op verschillende plaatsen in het latere Indonesië. \n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"23395512cadffe6b1a672a9a0f9da01a_BDM_00466_01.TIF","public":false,"language_id":1,"activation_radius":null,"id":26098,"location_hint":"","hide_back_button":false,"translation_object_id":81434,"location":null,"logo":{"language_id":null,"title":"bdm_00466_01","origin":"Direct Upload","orientation":0.0,"thumbnail":"23395512cadffe6b1a672a9a0f9da01a_BDM_00466_01.TIF","access_id":81433,"creation_date":"2025-04-14T13:43:29.763000","owner_id":5,"update_date":"2025-04-14T13:43:29.763000","public":false,"location_id":39001,"id":34375,"asset_type_id":3,"description":"","translation_object_id":81433,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":39001},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":13170904,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":34375,"height":null,"id":43431,"file_location":"23395512cadffe6b1a672a9a0f9da01a_BDM_00466_01.TIF","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/23395512cadffe6b1a672a9a0f9da01a_BDM_00466_01.TIF"}],"thumb_url":"https://store.kayser.workers.dev/wintor/23395512cadffe6b1a672a9a0f9da01a_BDM_00466_01.TIF"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"The painting Ministry of Finance on Waterloo Square in Batavia by Carel Lodewijk Dake Jr, shows the white ministry building with palm trees at the front, in a sunny, tropical world. The foreground on the right features four women in colourful sarongs. The painting is signed and dated in the lower right corner. Officials from this ministry presented this painting to C.W. Bodenhausen, Director of Finance in the Dutch East Indies, as a farewell gift on 4 September 1926.\n\n**Fun fact**\nThe official dress that Bodenhausen is wearing in the photo is kept at the museum. Despite being a tropical uniform with white trousers, it is made of thick scratchy wool.\n\nThe fantasy world of ‘Our Indies’ as depicted in this painting is exactly how the Dutch imagined life in the colony. In reality, Batavia had a rigid class system, racism was legally enshrined and by the 1930s, society was segregated to its core. There was a lot of local resistance, but it did not register in the ‘motherland’. Indonesian freedom fighters were instead portrayed as a band of thieves.\n\n**More about the artist**\nThis work was painted by Carel Lodewijk Dake Jr. He was born in Brussels in 1886 and died in Jakarta in 1946. From 1912, he worked in various places in what is now Indonesia.\n","language_id":2,"access_id":81434,"id":2667,"title":"Most Misguided","translation_object_id":81434,"location_hint":null,"lang_disabled":false,"language":null}],"assets":[{"location_id":107501,"start_animation":null,"auto_start":false,"volume":1.0,"scene_id":26098,"loop_playback":false,"focus_on_screen":false,"asset_id":34376,"occlusion_only":false,"id":106957,"hide_controls":false,"transparency":1.0,"active":true,"spatial_audio":false,"trackable":false,"scene":null,"triggers":[],"asset":{"language_id":null,"title":"bdm_42904","origin":"Direct Upload","orientation":0.0,"thumbnail":"fe81ca3a82cefbf77bc154f33c6cd39e_BDM_42904.tif","access_id":81435,"creation_date":"2025-04-14T13:44:17.303000","owner_id":5,"update_date":"2025-04-14T13:44:17.303000","public":false,"location_id":39002,"id":34376,"asset_type_id":3,"description":"","translation_object_id":81435,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":39002},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":6113712,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":34376,"height":null,"id":43432,"file_location":"fe81ca3a82cefbf77bc154f33c6cd39e_BDM_42904.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/fe81ca3a82cefbf77bc154f33c6cd39e_BDM_42904.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/fe81ca3a82cefbf77bc154f33c6cd39e_BDM_42904.tif"},"actions":[],"location":{"time_end":0.0,"position_z":0.0,"scale_y":0.0,"scene_origin":true,"rotation_x":0.0,"scale_z":0.0,"id":107501,"rotation_y":0.0,"crop_start_x":0.0,"time_start":0.0,"rotation_z":0.0,"crop_start_y":0.0,"position_x":0.0,"rot_track_x":false,"crop_start_z":0.0,"rot_track_y":false,"crop_end_x":0.0,"time_stop":0.0,"position_y":0.0,"rot_track_z":false,"crop_end_y":0.0,"time_begin":0.0,"scale_x":0.0,"crop_end_z":0.0},"groups":[]},{"location_id":116146,"start_animation":null,"auto_start":false,"volume":1.0,"scene_id":26098,"loop_playback":false,"focus_on_screen":false,"asset_id":34375,"occlusion_only":false,"id":115555,"hide_controls":false,"transparency":1.0,"active":true,"spatial_audio":false,"trackable":false,"scene":null,"triggers":[],"asset":{"language_id":null,"title":"bdm_00466_01","origin":"Direct Upload","orientation":0.0,"thumbnail":"23395512cadffe6b1a672a9a0f9da01a_BDM_00466_01.TIF","access_id":81433,"creation_date":"2025-04-14T13:43:29.763000","owner_id":5,"update_date":"2025-04-14T13:43:29.763000","public":false,"location_id":39001,"id":34375,"asset_type_id":3,"description":"","translation_object_id":81433,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":39001},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":13170904,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":34375,"height":null,"id":43431,"file_location":"23395512cadffe6b1a672a9a0f9da01a_BDM_00466_01.TIF","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/23395512cadffe6b1a672a9a0f9da01a_BDM_00466_01.TIF"}],"thumb_url":"https://store.kayser.workers.dev/wintor/23395512cadffe6b1a672a9a0f9da01a_BDM_00466_01.TIF"},"actions":[],"location":{"time_end":0.0,"position_z":0.0,"scale_y":1.0,"scene_origin":true,"rotation_x":0.0,"scale_z":1.0,"id":116146,"rotation_y":0.0,"crop_start_x":0.0,"time_start":0.0,"rotation_z":0.0,"crop_start_y":0.0,"position_x":-1.0,"rot_track_x":false,"crop_start_z":0.0,"rot_track_y":false,"crop_end_x":0.0,"time_stop":0.0,"position_y":1.0,"rot_track_z":false,"crop_end_y":0.0,"time_begin":0.0,"scale_x":1.0,"crop_end_z":0.0},"groups":[]}],"experiences":[],"thumb_cdn_url":"https://store.kayser.workers.dev/wintor/23395512cadffe6b1a672a9a0f9da01a_BDM_00466_01.TIF"},{"title":"Het grootste","spot_type":"page","hide_next_button":false,"marker_color":null,"spot_category":null,"hide_preview_close":null,"marker_value":null,"creation_date":"2025-04-14T13:45:16.850000","cluster_strategy":"on","lang_disabled":false,"update_date":"2025-08-06T11:05:55.923000","logo_id":35555,"access_id":81436,"point_text":null,"description":"Het grootste object in het museum is het schilderij *\"Havengezicht te Dordrecht\"*. Het beeldt de kade van Dordrecht uit met de bedrijvigheid van een aankomend schip. De lading wordt bij het uitladen gecontroleerd door ambtenaren van de Invoerrechten & Accijnzen, waarschijnlijk zit er wijn in de vaten. De antieke meetinstrumenten zijn ook in het museum te zien. \n\n

Hoe groot?

Het schilderij is 150 cm x 280 cm.

\n\n\nHet doek is in ongeveer 1760 geschilderd door Dirk Kuipers, geboren Dordtenaar. Het zou goed kunnen dat dit doek oorspronkelijk is gemaakt als behangsel voor in het interieur van een rijke koopman. Een dergelijke interieurversiering was zeer in de mode in de 18e eeuw, voor wie het kon betalen. Behangsels werden ingepast in een lambrisering: eronder werden houten panelen geplaatst en het behangsel reikte tot aan het plafond. Zo leek het alsof het schilderij daadwerkelijk het uitzicht vormde.\n\nIn de 18e eeuw waren dit soort ‘bedriegertjes’ zeer gewild. De behangsels vormden al een bepaalde illusie in een ruimte, boven de haard werd vaak een geschilderd bloemstuk geplaatst of een spiegel voor het ruimtelijke effect. Een ander type ‘bedriegertje’ was een boven de deuren geplaatst, in grijstinten geschilderd paneel, dat de illusie moest wekken dat het in marmer gebeeldhouwd of in gips gestuct was. \n\nEr zijn een aantal landschapsschilderingen van Dirk Kuipers bewaard gebleven. Een voorbeeld is een aquarel in de collectie van het Rijksmuseum met verschillende vogels tegen een gefantaseerde achtergrond. \n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"79a211cc19f06258d66ab7eb4e904bab_BDM_00971.tif","public":false,"language_id":1,"activation_radius":null,"id":26099,"location_hint":"","hide_back_button":false,"translation_object_id":81436,"location":null,"logo":{"language_id":1,"title":"bdm_00971","origin":"Direct Upload","orientation":0.0,"thumbnail":"79a211cc19f06258d66ab7eb4e904bab_BDM_00971.tif","access_id":83568,"creation_date":"2025-05-16T09:09:48.677000","owner_id":5,"update_date":"2025-05-16T09:09:48.677000","public":false,"location_id":40135,"id":35555,"asset_type_id":3,"description":"","translation_object_id":83568,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":40135},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"translations":[],"versions":[{"stereoscopic":false,"rotation":0,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":0.0,"revision":0,"file_size":6865068,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":2000,"subtitle_file":null,"asset_id":35555,"height":1142,"id":45131,"file_location":"79a211cc19f06258d66ab7eb4e904bab_BDM_00971.tif","language_id":1,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/79a211cc19f06258d66ab7eb4e904bab_BDM_00971.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/79a211cc19f06258d66ab7eb4e904bab_BDM_00971.tif"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"The largest exhibit in the museum is the painting View of the Port of Dordrecht by Dirk Kuipers. It shows the port of Dordrecht and activities on the quay involving a ship that has just arrived. Officials from Convoy Tax & Licence Fees (the forerunner of Customs) are inspecting the cargo. The barrels probably contain wine that is being gauged. The antique measuring instruments depicted are also on display in the museum.\n\n

How big?

The dimensions of the painting are 150 cm x 280 cm.

\n\nDordrecht native Dirk Kuipers painted this canvas around 1760. It is quite possible that the painting was originally made as a wallpaper for a wealthy merchant’s house. Such interior decoration was very fashionable in the 18th century – for those who could afford it. Wallpapers were set into wainscoting: wooden panels were placed underneath and the wallpaper reached up to the ceiling. It made it seem as if the painting was the actual view from the room. \n\nIn the 18th century, these types of optical illusion (known as trompe l’œil) were highly sought after. The wallpapers created a certain illusion in a room. Often, a painted floral arrangement or a mirror was placed above a fireplace to create the illusion of space. Another type of trompe l'œil was to have panels painted in grey tones placed above doors, which was meant to create the illusion of carved marble or gypsum plaster. \n\nSeveral landscapes by Dirk Kuipers have survived. One example is a watercolour featuring various birds against a fantastical background that is in the Rijksmuseum collection.\n","language_id":2,"access_id":81436,"id":2668,"title":"The Biggest","translation_object_id":81436,"location_hint":null,"lang_disabled":false,"language":null}],"assets":[{"location_id":109828,"start_animation":null,"auto_start":false,"volume":1.0,"scene_id":26099,"loop_playback":false,"focus_on_screen":false,"asset_id":35557,"occlusion_only":false,"id":109256,"hide_controls":false,"transparency":1.0,"active":true,"spatial_audio":false,"trackable":false,"scene":null,"triggers":[],"asset":{"language_id":null,"title":"bdm_02328_02","origin":"Direct Upload","orientation":0.0,"thumbnail":"17a1abeead643b78fc46aae451d336af_BDM_02328_02.tif","access_id":83570,"creation_date":"2025-05-16T09:10:14.943000","owner_id":5,"update_date":"2025-05-16T09:10:14.943000","public":false,"location_id":40137,"id":35557,"asset_type_id":3,"description":"","translation_object_id":83570,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":40137},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":false,"rotation":0,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":0.0,"revision":0,"file_size":18524404,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":1352,"subtitle_file":null,"asset_id":35557,"height":4560,"id":45133,"file_location":"17a1abeead643b78fc46aae451d336af_BDM_02328_02.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/17a1abeead643b78fc46aae451d336af_BDM_02328_02.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/17a1abeead643b78fc46aae451d336af_BDM_02328_02.tif"},"actions":[],"location":{"time_end":0.0,"position_z":0.0,"scale_y":0.0,"scene_origin":true,"rotation_x":0.0,"scale_z":0.0,"id":109828,"rotation_y":0.0,"crop_start_x":0.0,"time_start":0.0,"rotation_z":0.0,"crop_start_y":0.0,"position_x":0.0,"rot_track_x":false,"crop_start_z":0.0,"rot_track_y":false,"crop_end_x":0.0,"time_stop":0.0,"position_y":0.0,"rot_track_z":false,"crop_end_y":0.0,"time_begin":0.0,"scale_x":0.0,"crop_end_z":0.0},"groups":[]},{"location_id":116147,"start_animation":null,"auto_start":false,"volume":1.0,"scene_id":26099,"loop_playback":false,"focus_on_screen":false,"asset_id":35555,"occlusion_only":false,"id":115556,"hide_controls":false,"transparency":1.0,"active":true,"spatial_audio":false,"trackable":false,"scene":null,"triggers":[],"asset":{"language_id":1,"title":"bdm_00971","origin":"Direct Upload","orientation":0.0,"thumbnail":"79a211cc19f06258d66ab7eb4e904bab_BDM_00971.tif","access_id":83568,"creation_date":"2025-05-16T09:09:48.677000","owner_id":5,"update_date":"2025-05-16T09:09:48.677000","public":false,"location_id":40135,"id":35555,"asset_type_id":3,"description":"","translation_object_id":83568,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":40135},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"translations":[],"versions":[{"stereoscopic":false,"rotation":0,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":0.0,"revision":0,"file_size":6865068,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":2000,"subtitle_file":null,"asset_id":35555,"height":1142,"id":45131,"file_location":"79a211cc19f06258d66ab7eb4e904bab_BDM_00971.tif","language_id":1,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/79a211cc19f06258d66ab7eb4e904bab_BDM_00971.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/79a211cc19f06258d66ab7eb4e904bab_BDM_00971.tif"},"actions":[],"location":{"time_end":0.0,"position_z":0.0,"scale_y":1.0,"scene_origin":true,"rotation_x":0.0,"scale_z":1.0,"id":116147,"rotation_y":0.0,"crop_start_x":0.0,"time_start":0.0,"rotation_z":0.0,"crop_start_y":0.0,"position_x":-1.0,"rot_track_x":false,"crop_start_z":0.0,"rot_track_y":false,"crop_end_x":0.0,"time_stop":0.0,"position_y":1.0,"rot_track_z":false,"crop_end_y":0.0,"time_begin":0.0,"scale_x":1.0,"crop_end_z":0.0},"groups":[]}],"experiences":[],"thumb_cdn_url":"https://store.kayser.workers.dev/wintor/79a211cc19f06258d66ab7eb4e904bab_BDM_00971.tif"},{"title":"Het gruwelijkste","spot_type":"page","hide_next_button":false,"marker_color":null,"spot_category":null,"hide_preview_close":null,"marker_value":null,"creation_date":"2025-04-14T13:47:37.210000","cluster_strategy":"on","lang_disabled":false,"update_date":"2025-08-06T11:05:56.107000","logo_id":34377,"access_id":81438,"point_text":null,"description":"De Douane wordt regelmatig geconfronteerd met dierenmishandeling en criminele smokkel van beschermde dieren, dood en levend. 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Beter is het om alles te laten liggen, ook al is het nog zo mooi.\n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"a4314793fde5faccb36f638517518214_BDM_33863.tif","public":false,"language_id":1,"activation_radius":null,"id":26100,"location_hint":"","hide_back_button":false,"translation_object_id":81438,"location":null,"logo":{"language_id":null,"title":"bdm_33863","origin":"Direct Upload","orientation":0.0,"thumbnail":"a4314793fde5faccb36f638517518214_BDM_33863.tif","access_id":81437,"creation_date":"2025-04-14T13:47:34.490000","owner_id":5,"update_date":"2025-04-14T13:47:34.490000","public":false,"location_id":39003,"id":34377,"asset_type_id":3,"description":"","translation_object_id":81437,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":39003},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":52240224,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":34377,"height":null,"id":43433,"file_location":"a4314793fde5faccb36f638517518214_BDM_33863.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/a4314793fde5faccb36f638517518214_BDM_33863.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/a4314793fde5faccb36f638517518214_BDM_33863.tif"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"Customs is regularly confronted with animal abuse and the criminal trafficking of protected animals – dead and alive. Since 1 June 1976, customs officers have also been able to take action against this. At that time, the CITES treaty came into force. CITES stands for the Convention on International Trade in Endangered Species of Wild Fauna and Flora. The treaty thus applies to both animals and plants. An endangered status can change if conservation programmes are successful. Unfortunately, the opposite usually happens: since 1970, two-thirds of vertebrate animals have been wiped out worldwide.\n\n**What is the connection between Customs and Freek Vonk?** \nLuckily, there are many public and private organisations that work together to track, expose and combat this so-called wildlife crime, such as the Wildlife Justice Commission, the World Wildlife Fund, the No Wildlife Crime Foundation of Prof. Freek Vonk, and of course Customs, the police, and the Netherlands Food and Consumer Product Safety Authority. 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Niet om het reizen op Java (ruim drie keer de oppervlakte van Nederland) makkelijker te maken, maar om het gekapte tropische hout van het oerwoud naar de haven te vervoeren. \n","anchor_type":"no_scan","owner_id":5,"location_id":null,"thumbnail":"6dbc850424a2adfbb110554be800507c_BDM_17753_01.tif","public":false,"language_id":1,"activation_radius":null,"id":26105,"location_hint":"","hide_back_button":false,"translation_object_id":81453,"location":null,"logo":{"language_id":null,"title":"bdm_17753_01","origin":"Direct Upload","orientation":0.0,"thumbnail":"6dbc850424a2adfbb110554be800507c_BDM_17753_01.tif","access_id":81452,"creation_date":"2025-04-14T14:10:40.793000","owner_id":5,"update_date":"2025-04-14T14:10:40.793000","public":false,"location_id":39010,"id":34387,"asset_type_id":3,"description":"","translation_object_id":81452,"location":{"local_name":null,"latitude":0.0,"longitude":0.0,"country_id":null,"id":39010},"tags":[],"asset_type":null,"folders":[],"owner":null,"language":null,"translations":[],"versions":[{"stereoscopic":null,"rotation":null,"greenscreen":null,"codec":"tif","chroma_color":null,"frame_rate":null,"revision":0,"file_size":14768898,"duration":null,"version_type_id":3,"bitrate":null,"delete_by":null,"original":true,"width":null,"subtitle_file":null,"asset_id":34387,"height":null,"id":43443,"file_location":"6dbc850424a2adfbb110554be800507c_BDM_17753_01.tif","language_id":null,"asset":null,"version_type":null,"file_url":"https://store.kayser.workers.dev/wintor/6dbc850424a2adfbb110554be800507c_BDM_17753_01.tif"}],"thumb_url":"https://store.kayser.workers.dev/wintor/6dbc850424a2adfbb110554be800507c_BDM_17753_01.tif"},"language":{"name":"Dutch","emoji":"🇳🇱","alpha2":"NL","local_name":null,"alpha3":"NLD","flag":"nl_flag.png","rtl":null,"id":1},"owner":null,"groups":[],"translations":[{"description":"**Colonial civil servant**\nHow this Indonesian civil servant looks reflects his ambivalent position in the Dutch colonial administration. He is carrying a briefcase and wearing a watch chain and European clothes combined with a sarong, slippers and an iket (traditional headwear). Indonesians who participated in the executive administrative apparatus in the Dutch East Indies received a Western education. They had a salary and prestige in the colonial class system. The divide-and-rule principle was successful. Without the involvement of local tax officials, it would have never been possible to govern such a vast area so efficiently.\n\n**An enormous amount** \nThe total of all registered tax revenues in the Dutch East Indies from 1848 to 1940 amounted to 25,836,314,430 guilders. Everything the Dutch government collected before 1848 comes on top of this, but those revenues are not well documented. The colonial government also had expenditures, but these are not taken into account because they benefited the Dutch administration rather than the Indonesian people. 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Extremes B&D Museum

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